Fringe – Episode 17: “Bad Dreams”

A surprisingly enjoyable episode this week. The science mumbo-jumbo was kept to a minimum and storyline kept moving quickly along.

Fringe #17

The Plot: A mother is pushing her daughter in a stroller through Grand Central Station singing a song about a circus elephant. As they wait by the tracks for the next subway, Olivia suddenly appears and pushes the mother in front of the oncoming train, killing her. Olivia suddenly wakes from her sleep with a start, realizing she had dreamed the whole thing — until she sees the report of the suicide on the morning news.

Olivia and her team go to New York to investigate the death, but the evidence — including a surveillance tape — point to suicide. Her husband, however, pleads to Olivia that his wife would not have committed suicide. Walter suggests that possibly Olivia somehow compelled the woman to jump.

Olivia decides not to go back to sleep. She takes caffeine pills and drinks cup of coffee after cup of coffee. She finds herself in a restaurant full of happy couples. Suddenly, one of the wives starts accusing her husband of philandering and stabs him repeatedly with a steak knife. Olivia is beside her, helping her drive the knife in. Again, Olivia wakes up with a start — she has dreamed of another death. Investigating at the restaurant where the stabbing took place, the owner tells her a blond man with a scar was sitting in the booth she had dreamed herself sitting in. Reviewing the tape of the New York suicide, a blond man with a scar was there as well.

A search of governmental databases reveals that the man in question is named Nick Lane and was once a resident of St Jude’s Mental Hospital, until he came into a sudden inheritance and checked himself out. He also seems to have been familiar with the mysterious ZTF manifesto. The staff psychiatrist describes him as “hyper-emotive” — someone whose mood influences those about him. Looking through the patient’s chart, Olivia discovers that he was treated with the experimental drug Cortexiphan — the same drug she was once treated with. Walter reveals that during the Cortexiphan experiments, children were paired to reduce their anxiety. He suggests that Olivia must have been paired with Nick and a mental bond developed that allows her to dream what he is seeing. Thanks to the Cortexiphan and his unstable mental state, Nick is broadcasting his emotions to those around him. When he felt suicidal, the mother picked up his emotions and committed suicide. When he felt abandoned, the wife picked up his feelings and stabbed her husband.

Walter places Olivia under hypnosis in an attempt to locate Nick. They are able to find Nick’s apartment, but not before he has lured a stripper there and caused her to commit suicide. By the time the team reaches his apartment, Nick is already gone. Exploring his place, they find an entire wall dedicated to the Pattern. About this time, news reaches them that Nick has been spotted. He has gone to the roof of a tall building nearby and is prepared to jump to his death. He’s not alone though, his emotions are spilling so much that there are about twenty other people on the roof with him, also ready to jump. Walter tells Olivia that because she was also treated with Cortexiphan, she will be immune to Nick’s powers. She climbs to the roof and confronts him. He remembers her from the experiment, but she doesn’t remember him. He hands her a gun and asks her to kill him. She shoots him in the knees instead — he collapses and it releases his hold on the others. He tells her regretfully that someday soon, she’ll wish she had killed him. As the episode ends, Walter is watching an old videotape of the Cortexiphan experiments — a tape featuring a very young Olivia.

Fringe #17

Not too much science to dish on in tonight’s episode, so I’m just going to go stream of consciousness here.

1. Circus Circus
According to Wikipedia, Nellie the Elephant is a perfect song to sing in order to time CPR correctly.

2. The Count
For something that was supposedly not detecting any radiation, the Geiger counter was certainly clicking a fair amount.

3. Showtime
Walter wants to see Pippin, a musical about Charlemagne’s deformed son, Pippin the Hunchback. The song he is quoting is Corner of the Sky.

Strangely enough, the song Corner of the Sky is on the playlist I’ve been playing on my computer for the past month or so. Should I be worried? Have I become part of the Pattern? (If so, I better be getting paid for this, Abrams).

4. Stripper or Not
Continuity error: When the stripper is first shown looking in the mirror in Nick’s apartment, she is topless. When the scene flashes back to her, she’s suddenly wearing a bra (what can I say, I’m a guy — I notice these things.)

5. Torre! Torre! Torre!
Just for the record: Walter mentions Nick was using the Torre attack when playing chess. Who was he playing?

6. Clues?
Thanks to some recent articles on the clues in Fringe, I’m looking for them everywhere now. I saw the light pattern in the windows in Walter’s hotel, but now I’m wondering about the 7 of clubs shown prominently on Nick’s table.

7. Continuity
Nice to see the some of the threads begin to tie together — particularly the Cortexiphan and the ZTF manifesto (both from Episode 14)

8. The Wall
I would have loved to have time to study the Pattern wall in Nick’s apartment.

Fringe #17

An enoyable episode this week, that restores some of my faith in the show. The Doomsday clock goes back to 11:56

Fringe Doomdsday Clock

6 Responses to “ Fringe – Episode 17: “Bad Dreams” ”

  1. I was totally happy to see them get back to the ZTF/Cortexiphan stuff from the episodes just before they’d gone on break.

    When the episode went to Olivia going to the strip club and hitting on the stripper, I thought, “…Well, this has certainly gone somewhere I didn’t quite expect.” It took me rather longer than it probably should’ve to figure out that it was another dream experience; I’d thought they’d maybe tracked him down to the club and she was either going there to arrest him or at least do a stakeout.

    Also, while I figured it was actually about something else, I liked to think that Walter specifically went on about “Pippin!” because John Noble played Denethor.

  2. Along with “Nellie the Elephant” I read an article that said that “Stayin’ Alive” also has the correct number of BPM for CPR.

    The other song they mentioned having the correct timing was “Another One Bites The Dust”, but they said that song might send the wrong message.

  3. In honor of a decent episode, the Doosmday Clock has been renamed the Doomsday Clock.

    (Take one DOOOOOOOM! token off the board)

    “For something that was supposedly not detecting any radiation, the Geiger counter was certainly clicking a fair amount.”

    Plot Convenience Theater explanation: It was on the highest sensitivity setting (to try and detect the slightest radiation above background) and that was normal background radiation clicking away.

    Minor plot consistency issue: At the end it seemed like the writers lost any distinction between Nick’s emotions influencing and overwhelming people, and Nick directly controlling people with his mind- ex when he made the one person jump from the roof to their death, by his intentional choice. Also, if he wanted so badly for Olivia to shoot and kill him, why weren’t the others on the roof begging Olivia to shoot them as well?

  4. Dooooom!

  5. It wasn’t the Torre Attack. You couldn’t tell how the chess game began. Nick could have just been studying chess, no opponent needed.

  6. [...] episode is debunked at Popular Mechanics and Polite Dissent, and you can read more about it at Fox, IMDb and the A.V. [...]

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