Fringe — Episode 2 (Season 4): “One Night In October”
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There were enough twists in this episode to redeem an otherwise straightforward hunt-the-serial-killer storyline. Sure, we all knew what was going to happen by the end (turning on his double, amnesia, etc.), but the concept of using an alternate universe analogue as essentially a human bloodhound for himself was clever.

The Plot: Olivia is called in by Broyles to work on a serial killer case, only it turns out it’s a case in the alternate universe and Fauxlivia has asked for their help.
After five years of chasing the murderer, alternate-Fringe have finally learned
his identity, only now they can’t find him. Their solution is to have Olivia cross over with the killer’s double from our universe, hoping he can point out what they might have missed. As it turns out, the killer’s double is a forensic psychiatrist and he is happy to help the FBI on a profiling case, not realizing the true identity of the killer, and the team keeps the secret of the two universes from him. He’s no dummy though, and quickly spots pictures and belongings in the killer’s house that he knows he owns as well, and the Olivias have no choice but to tell him the truth about the second universe.
Word comes down from alternate-Broyles that the killer had kidnapped another victim. While the team deals with this information, the profiler escapes, believing he can track down and stop his other self. Acting like a competent detective for once, Olivia is able to track their whereabouts to an old family farm.
Meanwhile, the killer’s double interrupts his other self in the middle of a murder and tries to help him see the error of his way, but the killer sucker punches him, and soon the double is strapped to a chair and pumped full of sodium pentathol while the killer uses a machine to drain the happy memories from his brain. The Fringe team arrives in time to rescue the victims, and Fauxlivia saves Olivia’s life by shooting the killer when he drew a gun on her. In the end, the killer is dead and his double returns safely to our world –luckily his memories of his time in the alternate universe were drained by the killer’s machine so the secret is safe.
And Walter covers every reflective surface in his lab so he can’t see Peter – and it works – only he can still hear him.

1. Ch-Ch-Ch-Changes
Post-Peter continuity in the Alternate Universe:
Fauxlivia is still with Frank (which makes sense, as there was no Peter to get pregnant by)
Alternate Broyles is still around (which doesn’t make as much sense, since his helping Olivia escape cost him his life, and not Peter)
Meat is readily available now.
2. Led Astray
Multi lead EEG display in the killer’s lab, but there was only one EEG lead, at best.
3. To Tell the Truth
Sodium pentathol is not that powerful a “truth serum,” at the high doses needed to make people with holes-drilled-in-their-head feel comfortable enough to talk that freely to a strange person, they’d either be dead or completely sedated.
4. High Fidelity
As much as Olivia was shown to be a good detective this episode, the alternate-Fringe team was horrible. Did it never occur to them that the killer’s double would see something in the killer’s house to clue him in to the truth? I figured it was going to be a problem the moment they announced their plan.
5. High Fidelity
I liked Walter’s recreation of the classic Maxell ad.
6. Reading Too Much Into It.
The tractor license plate numbers recalled by Olivia were entirely different in the spoken versus closed caption version.

An average track down the serial killer plot helped along by some clever Fringe twists. Still it was neither good enough to loose time from the Doomsday Clock, nor bad enough to advance it.

This week’s Fringe cipher was: LIMBUS.
A list of all previous Fringe reviews is available here.
As always, Karl has more to say over at his blog.

It was nice to see House act Holmes-ian again — identifying and explaining Adams by her shoes, scarf, locket, etc.
ASA has been known to induce mast cell degranulation – and subsequent anaphylaxis – in patients with mastocytosis, but it’s not reliable enough to use a diagnostic test. A positive test would suggest mastocysotis (or an aspirin allergy), but a negative test wouldn’t rule out the diagnosis.
As the issue begins, a new avatar, Osprey, is introduced. Unfortunately, things aren’t going well for him. He’s been severely beaten and tied to chair. Soon the villain Condor, the Hawk look-alike who showed up in the final panel of last issue, emerges and taunts Osprey. Condor refers to himself as a “self-made man” and tells Osprey that he knows his secrets. He then introduces Osprey to his partner, a young woman. Speaking ritualistic words, she stabs Osprey, killing him, and absorbing all his powers — transforming her into a new “avatar” Swan. Condor and Swan decide now is the perfect time to hunt down Hawk and Dove.


Hank is right to question Dawn’s fashion sense. That dress she was wearing to the awards dinner – that one with the plunging neckline – is not what one should wear to a Presidential dinner. What happened to the conservatively dressing Dawn from before?
Apparently the avatars are more or less human under their costume, at least that’s what we see with the wounded Osprey. Previously, Hawk and Dove’s quasi-divine nature would show through any damage in their costume (thick hair for Hawk, light for Dawn).



























